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Calcutta, the capital city of West Bengal, the
eastern state of India. The period is 1970-72. The city is in the
grip of a leftist militant movement, popularly known as the "Naxalbari
Movement". The "Naxalbari Movement" began in the Naxalbari region
to get minimum wages for the agricultural labour, and soon spread
to other rural and urban areas of West Bengal including Calcutta.
It attracted widespread participation from the leftist intelligentsia
and student groups. Sujata Chatterji is a middle aged, traditional,
submissive, unprotesting, upper middle class woman, employed in
a commercial bank in Calcutta.
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She awakens one early morning to the shattering
news of her youngest and favourite son, Brati, lying dead in the
police morgue, reduced to a mere numerical Corpse no. 1084. The
awakening propels her on a journey of discovery, in the course of
which, whilst struggling to understand her naxalite (militant leftist)
son's revolutionary commitment, she begins to recognize her own
alienation as a woman and a wife from the complacent, hypocritical
bourgeoisie society her son had rebelled against.
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In an attempt to regain a sense of self from the intense psychological
and emotional trauma, Sujata, as a mother, gains some deep insights
into the complex relationship between the personal and the political
aspects of our lives.
Main Credits
| Based
on the novel by |
Mahasweta
Devi |
| Screenplay |
Govind
Nihalani |
| Dialogue |
Tripurari
Sharma |
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| Art
Director |
Chokas
Bhardawaj |
| Production
& Costume Designer |
Yashodara
Roy |
| Script
Coordination |
Meenakshi
Sharma |
| Chief
Production Executive |
Shivaji
Dasgupta |
| In
charge of Post Production |
Subodh
Karve |
| Editor |
Deepa
Bhatia |
| Media
Relations |
Anil
Sehgal |
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PREVIOUS |
NEXT
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| Research
|
Shubha
Piplapore Nishikant Pasha |
| Processed
at |
Adlabs
(Mumbai) |
| Publicity
Designs |
Studio
Link |
| Title
Graphics |
Amol
Gupte |
| Consultant
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Samik
Bandopadhyay |
| Music
Director |
Debjyoti
Mishra |
| Producer,
Director & Cinematographer |
Govind
Nihalani |
| Cast
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Jaya
Bachachan, Anupam Kher |
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